I’ve been following her for the past few days. I know where she buys her groceries, where she has her dry cleaning done, where she works. I don’t know the color of her eyes or what they look like when she’s scared. But I will.”
One night, Mia Dennett enters a bar to meet her on-again, off-again boyfriend. But when he doesn’t show, she unwisely leaves with an enigmatic stranger. At first Colin Thatcher seems like a safe one-night stand. But following Colin home will turn out to be the worst mistake of Mia’s life.
When Colin decides to hide Mia in a secluded cabin in rural Minnesota instead of delivering her to his employers, Mia’s mother, Eve, and detective Gabe Hoffman will stop at nothing to find them. But no one could have predicted the emotional entanglements that eventually cause this family’s world to shatter.
An addictively suspenseful and tautly written thriller, The Good Girl is a propulsive debut that reveals how even in the perfect family, nothing is as it seems.
I’ve had this novel on Audible, waiting to be read, for a few weeks. I was looking forward to reading it after reading the blurb and reading the first few pages. The 4.2/5 stars on 4,300 reviews on amazon.com and over 14,000 on Audible, also convinced me I couldn’t go wrong! I was not disappointed.
The Good Girl is about a rich and dysfunctional American family whose dissenting daughter, Mia, is kidnapped by a ruthless gunman who is subcontracted for the job.
Everything goes haywire when the kidnapper, Colin, decides to save Mia by kidnapping her from the kidnappers who recruited him, because he believes their ultimate aim is to murder her.
Mia and Colin, two of the narrators, spend months in hiding in a remote and freezing cabin, with barely enough to eat, while her mother, Eve, and Detective Hoffman, the other two narrators, try to find them.
The story is told by four narrators in two time periods, before and after the kidnapping, so we know from the beginning that Mia was recovered. In spite of this, I was intrigued to find out how she was able to escape, who had ordered her kidnapping her and why.
It may seem that the author included a spoiler or that going backwards and forwards in time would be confusing, but it isn’t, quite the opposite, the narrative is greatly enriched by these alternating perspectives.
The first and final thirds are the most gripping, while in the central chapters, I did wonder where the story might be going, but as I read on, I realised it was all part of the suspense.
The four narrators were believable. My favourite was Colin, because, in spite of his reserved and sometimes evil nature, I felt I knew him better than the rest and because his character developed the most throughout the novel. Colin is the real protagonist. His decisions guide the plot. He’s the catalyst and the most interesting character.
I didn’t care much for Mia or her mother. I thought they were too full of self-pity and too self-righteousness. The father was the archetypal villain and the detective, was the proverbial honest and thorough investigator and good guy.
The climax was unexpected and devastating, and the end, narrated by Mia in the epilogue, was surprising and sad, but plausible and satisfactory. I’d recommend it to lovers of psychological thrillers and I’ll definitely be reading more by this author.
By the way, the audio version with the four different narrators was fabulous.