#CarrotRanch #FlashFiction Challenge: Honeymoon Love Letter @Charli_Mills

This post was written in response to Charlie Mills’ Carrot Ranch Weekly Flash Fiction Prompt 

March 9, 2017 prompt: In 99 words (no more, no less) write a honeymoon story. It can be between a couple before, during or after the honeymoon. Or it can refer to a honeymoon period. Go where the prompt leads.

Respond by March 14, 2017 to be included in the compilation (published March 15). Rules are here. All writers are welcome!

Honeymoon Love Letter

He refused, yet again. Why wouldn’t they leave him alone? He would never share Charlotte’s love letter.    

Dearest husband, the word seems strange, yet marvellous, my husband, at last. You are dearer to me today than you have ever been, yet less than you shall be tomorrow. I shall never forget the wild nights spent in Bangor, or the gleams of sunshine which woke us every morning. I love you, Charlotte.

Arthur folded the letter he had read every day since his wife passed away, fifty years ago, and tucked it back under his shirt, close to his heart. 


This flash fiction is inspired by Charlotte Bronte’s honeymoon in Bangor, Wales, with her husband Arthur Bell Nicholls. They were only married for nine months, and very little is known about their relationship, however, the letters she wrote during her honeymoon and her obvious desire to marry him, in spite of her father’s opposition, as well as Arthur’s tenacity, leads me to believe that there was a love story between them.   

The letter I have included in my flash was inspired by words and sentences she wrote in ‘real’ letters about her husband and her honeymoon.

           Arthur Bell Nichols circa 1854

Arthur Bell Nichols met Charlotte Bronte in 1845 when he was appointed curate to her father, Reverend Patrick Bronte. The first time Arthur asked for Charlotte Bronte’s hand in marriage, in 1852, her father, the Reverend Patrick Bronte refused, probably because he considered his curate to be beneath his famous daughter. As a result, Arthur applied to work in Australia, although he also persisted in is pursuit of the elusive Charlotte, in spite of her overprotective father.

Charlotte and Arthur eventually married in June 1854, nevertheless, Charlotte’s father refused to lead his daughter her up to the altar, or attend the wedding ceremony.

The newlyweds spent a protracted honeymoon in Wales and Ireland, and there is no indication that it was not a happy, albeit short, marriage. Charlotte wrote several letters during her honeymoon, describing her journey as pleasant and enjoyable.

Unfortunately, Charlotte died nine months later, probably due to complications with her pregnancy, as she suffered severe morning sickness and general ill health. Charlotte and her unborn child died on 31 March 1855. She was 38-years-old.

These may or may not be photographs of Arthur and Charlotte (Both are disputed).

Nicholls became the copyright holder of his wife’s works. As interest in Charlotte Bronte grew in the months and years after her death, Patrick Brontë asked Charlotte’s friend, the novelist Elizabeth Gaskell, to write her daughter’s biography. Arthur Nicholls was reluctant to allow Mrs. Gaskell access to Charlotte’s letters and was not pleased with Mrs. Gaskesll’s account. In any case, neither Mrs. Gaskell nor Patrick Bronte were Arthur’s fans. The biography was controversial, incomplete, due to its omissions, and was withdrawn and rewritten twice due to accusations of slander. It was finally published in 1857.

Arthur remained at Haworth, looking after Reverend Patrick Bronte until his death in 1861. He put the contents of Haworth Parsonage up for auction in October 1861, retained the family’s manuscripts and private effects, and returned to Ireland, his homeland.

Nine years after Charlotte’s death, Arthur married his cousin. He died in 1906, and it is said his last words were ‘Charlotte, Charlotte.’


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Letter A April #AtoZChallenge #JaneEyre’s #Author Charlotte Bronte

This post is part of this year’s April Challenge to write a post a day. I’ve chosen to write about my greatest literary passion: Jane Eyre. Today it’s Jane Eyre’s Author, Charlotte Bronte


My name is Charlotte Bronte and I was born on 21st April, 1816, in Thornton, Yorkshire.

Charlotte Bronte

My father was Rev. Patrick Bronte, originally from County Down, Ireland, where his father was a labourer. His name was spelled Brunty at the time. I don’t know exactly when it was changed to Bronte, but it was probably when he came to England in 1802, after working as a blacksmith, weaver and teacher, in Ireland. He saved enough money to study theology at St. John’s College, Cambridge and was ordained in 1806.

I hardly remember my mother, Maria Branwell, who died when I was five. She was born in Penzance, Cornwall, where her father was a successful merchant. She met my father while visiting her aunt in Yorkshire.


My two elder sisters Maria and Elizabeth died when I was 9, and they were 10 and 11 yeas old. They had been attending a Clergy Daughters’ School at Cowan Bridge in Lancashire, which had notoriously poor conditions. Much like Lowood, the school I described in my most successful novel, Jane Eyre.

I was the oldest of my surviving siblings, and the last to die. My poor, talented brother Patrick Branwell was a year younger than me, and would have been a great painter and poet if he had not succumbed to the ecstasy and torture of laudanum, alcohol, and the unrequited love of a married woman.

In 1820, the year my youngest sister Anne was born, we to Haworth, where my father had been appointed perpetual curate of St Michael and All Angels Church, and sadly, my mother died of cancer the following year.

We were fortunate enough to have been looked after by out maternal aunt, Elizabeth Branwell. While our father taught us to read the wisdom and moralizing stories of the Bible, our aunt showed us the pleasure of reading fiction in literary magazines. My aunt, who was so devoted to us that she never married, was able to use her generous annual income to fund many of the ventures in which our father had little interest, such as a girls boarding school, which unfortunately was unsuccessful, and our trips to Brussels to study French.


While we were in Brussels, in return for board and tuition, I taught English and Emily taught music. We were in Brussels when we were informed of our aunt’s death in 1842, due to a bowel obstruction. We were all devastated, but especially my brother, Branwell, who was her favourite. He died six years later. Although his death certificate says he died of chronic bronchitis, he had been suffering greatly due to his addictions, brought on by his sensitive character and acute sense of failure. 

I fell in love with my professor of Rhetoric, while I was in Brussels. He was short, dark, and moody. I was terrified of him at first and anxious to gain his approval as his pupil. Later, my fear and admiration turned to love. When I returned to Haworth, we remained in touch. I wrote him many letters, but unfortunately, M. Heger was married and had six children, so he remained in my literary imagination and became my inspiration for Mr. Rochester.


I will always remember our childhood literary ventures. The four of us would use Branwell’s wooden toy soldiers to play with and invent an imaginary world, which we called Angria. We should have developed those stories into a series of fantasy novels. Branwell once said he would do so, but sadly, it never happened.

We were educated at home and my sisters and I also worked as teachers and governesses in several local schools and households, but none of us considered it a fulfilling job, so we turned to writing, which had always been our passion.


The three of us had written many poems, and in 1846, encouraged and impressed by Anne’s poems I decided to publish a selection of all our poems, which were written under the pseudonyms of Currer, Ellis and Acton Bell. We thought best not to disclose our real names and gender because we wanted to preserve our privacy and because we thought our condition as women writers would be looked upon with prejudice.

I had already written The Professor, which had been rejected for publication, but our luck changed the following year, my Jane Eyre, Emily’s Wuthering Heights, and Ann’s Agnes Grey were all published, still under the Bell pseudonyms. It was not until 1848, that we told our London publishers who we really were.


Although Jane Eyre soon became a best seller, some literary critics thought it was provocative, antichristian and coarse, but you’ll read more about my novel, Jane Eyre in tomorrow’s post. Some critics even thought it had been written by a man! But how could a man have written three volumes uncovering the complexity of a woman’s heart and soul? 

Two of the saddest moments of my life were the deaths of my sisters Emily and Anne in 1848 and 1849. They were both taken in their prime. I heard their failing breaths and watched the colour fade from their faces, as the eternal stillness took over. Every time I tremble from the hard frost and keen wind, I am reminded that they can no longer feel them. It was God’s will. My only consolation is that and the place where they have gone is better than the one they have left. This is part of a poem I wrote when Anne died: ‘There ‘s little joy in life for me, And little terror in the grave; I ‘ve lived the parting hour to see, Of one I would have died to save.

I did not think much of London life, but I visited on a few occasions and made the acquaintance of other notable writers, such as Mr. Thackeray and Mrs. Gaskell. I was especially impressed by the Great Exhibition at Crystal Palace in London, which I visited in 1851.

I had known Rev. Nicholls, curate of Haworth, since 1845. The first time he proposed marriage was in 1852, but my father objected and I was indifferent. Mr. Nicholls was insistent, and he was indeed a kind man, so the second time he proposed, two years later, my father did not oppose the marriage and I accepted. I did not marry for love. I had loved once and I was resigned to live without the hope of such passion again, but I would have liked to have children. I was my father’s only child still living, so I was his last chance of seeing any type of continuation in his line, but sadly, it was not to be. I died during a difficult pregnancy in 1855.


I often think of my father, who survived his wife and six children, sitting in his favourite armchair by the window rereading his worn Bible, trying to understand why he had not yet been called. Perhaps I wrote these lines thinking of him:

He that lives must mourn.

God help us through our misery

And give us rest and joy with thee

When we reach our bourne!

It pleases me greatly that our novels are still read and loved, and have inspired other authors and artists over the centuries.

When authors write best, or at least, when they write most fluently, an influence seems to waken in them which becomes their master, which will have its own way, putting out of view all behests but its own, dictating certain words, and insisting on their being used, whether vehement or measured in their nature; new moulding characters, giving unthought-of turns to incidents, rejecting carefully elaborated old ideas, and suddenly creating and adopting new ones. Is it not so? And should we try to counteract this influence? Can we indeed counteract it?

from a letter to G.H. Lewes, 12 January 1848.

― Charlotte Bronte, The Letters of Charlotte Bronte: With a Selection of Letters by Family and Friends Volume III: 1852-1855

Have you read my books?

Have they inspired you to write?