#AtoZChallenge 2019 #Audiobooks ‘K’ is for Lisa Kleypas @LisaKleypas ‘The Ravenels and The Wallflowers’ @Scribd #HistoricalRomance

#AtoZChallenge 2019 Tenth Anniversary blogging from A to Z challenge letter

I love novels set in Vicrorian England and I enjoy reading romance, in between psychological thrillers and literary fiction, and I’ve found the perfect combination in Lisa Kleypas. She has written various series of historical romance, set in 19th century England, such as The Ravenel Series of four novels and The Wallflowers of five novels. In her latest novel, The Devil’s Daughter, The Ravenels meet The Wallflowers!

Lisa is ranked #10 bestselling kindle (US) author of historical romance, and the reason is she writes engaging and entertaining, well-written historical romance. On this occasion, I’ve listened to her  novels on Scribd, but they’re also available on Audible.

Lisa Kleypas

All her novels are standalones, but if you read them in order, it leads to a better reading experience, because the characters are related, either by family or friendship, so characters in previous books will appear in later titles.

I’d recommend you start with the first Ravenel book, published in 2015, which is also one of my favourites. By the way, aren’t those covers beautiful?

Cold-Hearted Rake audiobook cover art

Hello Stranger, published in 2018 is my favourite, perhaps because it was the first one I read and then I made my way back to the first three books in the series!

The female lead in Hello Stranger, Dr. Garrett Gibson, is a woman ahead of her time. She’s the only female physician in England, and is making herself respected in a man’s world. She’s intelligent, strong-willed, daring and independent. Ethan Ransom, a former detective for Scotland Yard, is a rumored assassin whose true loyalties are a mystery. They are both drawn into dangerous plot against the government.

Hello Stranger audiobook cover art

Her latest novel, Devil’s Daughter, is the delightful story of a widow with two young children and a reformed rake.

Devil's Daughter audiobook cover art

Lisa Kleypas’s historical novels have all the ingredients for an exciting and entertaining journey into Victorian England. The novels are well researched and plotted, with engaging heroes and heroines. Readers will visit Victorian London, from the dark alleyways and slums, gentlemen’s and gaming clubs, to stately town houses and horse rides in Regents Park, as well as travels to country estates. There are villains, rakes and other evil characters who battle against her main characters. You can also look forward to plenty of (unstressful) suspense, in spite of expecting a happy ending, because the journey towards the grand finale is so enjoyable.

Lisa Kleypas, like Jane Austen, is well aware that in 19th century England, “It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife.” And just like Jane Austen, that’s what she writes about, except in Kleypas’ case, the novels are more about assertive women fighting for love matches and independence in a world of marriages of convenience and gender inequality.

Most of her novels are read by Mary Jane Wells, who does all the accents and genders very nicely, although, as always, I would have prefered at least two narrators, for male and female voices, but I enjoyed listening to all of them as they are.


Lisa Kleypas’ novels are especially for readers who want an escape from real 21st century life for a few hours, and enjoy historical romance set in Victorian England, with strong-willed female leads who overcome obstacles on their way to a happy marriage. A delightful indulgence!

Lasa Kleypas’s Audible Author Page

Lisa Kleypas’s Scribd author page

What? You’ve never read an Audiobook? Here are my 34 reasons why you should be reading audiobooks!

I’ll be reviewing an audiobook a day throughout April, so come back on Monday! There will be a round-up tomorrow!

Would you like to read about the other authors and audiobooks I’ve posted about during the challenge, which started on 1st April? Here they are!

Find out more about this blogging challenge here!

A Present for Saint Valentine’s Day: The Most Romantic Letters You’ll Ever Read

When I met my husband, thirty-five years ago, we lived in different countries. I was living in London, while he lived in Spain. At the time, long distance phone calls were very expensive, so they were infrequent. For over two years, except during the holidays, which we spent together, he wrote me a letter almost every day. We probably would never have stayed together, or married, if it hadn’t been for those, literally hundreds, of letters.

A real, full length love letter, not a text message or a printed inscription in a card, is the most romantic gift you can give someone you love. In case you’re looking for inspiration, here are two passionate letters that will warm your hearts 🙂

The most romantic letter in English Literature is Captain Wentworth’s letter to Anne Elliot in Persuasion:

You pierce my soul

I was irreverent and bold enough to dare to be inspired by Jane Austen and write a similarly passionate love letter in my novel, All Hallows at Eyre Hall. It was written anonymously, by Michael (did I tell you he’s partly influenced by Captain Wentworth, especially in Twelfth Night at Eyre Hall) to the (almost) widowed Jane Eyre (Mrs. Rochester). 

This is the most romantic fictional letter I’ve ever written.



Have you written a fictional romantic letter?

Feel free to copy and paste in the comments or post the link. I’d love to read it 🙂

Characters, New and Used

2 days to book launch

I met Norah Colvin some months ago in the Blogging Universe. She is an enthusiastic teacher, writer, and an informative and supportive blogger. Please look up her thought-provoking blog. We usually bump into each other writing Flash Fiction at Carrot Ranch.

Yesterday, Norah asked me a question, which has triggered this post.

Norah’s question.

It is quite an interesting thing to take characters from a well-known book and place them into a different situation with other characters. You’ve probably shared it elsewhere, but I wonder why you chose to do this rather than introduce totally new characters.

There are three answers to this question: The long answer, for those who want to get to know me better. The intermediate answer, for those who want a concise, non-rambling reply, and the short answer, for those who really busy and have no time for nonsense!

The Long answer is especially for Norah, because I know that when she asks a question, she wants and deserves a proper answer!

Long Answer:

When I started dabbling with writing novels, many years ago, I realized I kept writing about myself and people who were close to me, but I didn’t want to do that, so I stopped writing novels and wrote diaries instead.

More recently, I decided I needed to express my creativity by writing a novel, but I wanted to make sure I wrote about other ‘invented’ people, not myself, or anyone I knew personally. I was teaching Postcolonial Literature at the time to Undergraduates. One of the topics we dealt with was related to 20th century writers ‘writing back’ to ‘colonial’ or 19th century writers. Jean Rhys’s Wide Sargasso Sea and Charlotte Bronte’s Jane Eyre, were on the agenda. I became fascinated with the topic. I have written a chapter in an academic book titled: Sexuality and Gender relations in Jane Eyre and Wide Sargasso Sea (I’ll be writing a post on that soon).Please don’t even think of buying it. It is ridiculously priced. If anyone wants to read my article, just let me know.

Identities on the move cover

There are other posts on this blog related to the madwoman in the attic and postcolonial and feminist literary criticism which you may like to have a look at, if you are interested in the topic. Madwoman in the Attic Part I and Madwoman in the Attic Part II

When I started my three-part sequel to Jane Eyre, my plan was to expose Rochester as a tyrant and revindicate Bertha Mason as his victim. I am sure that Jane Eyre would have become another victim, given a few years, which is what happens in my novel.

I also wanted to make sure that amends would be made, so Bertha’s daughter (my creation) would be reinstated, and Jane would find happiness and lasting love, with another man (my creation). That’s what I set out to do and what I’ve accomplished with The Eyre Hall Trilogy (the final instalment, book 3, Midsummer at Eyre Hall, is well on its way!).

The Eyre Hall Trilogy is meant as a tribute to Charlotte, Emily and Anne Bronte, Charles Dickens, Wilkie Collins, Dante Gabriel Rossetti, Elizabeth Barret Browning, Robert Browning, Sir Arthur Conan Doyle, Alfred, Lord Tennyson, Thomas de Quincey, C. S. Forrester, Daphne du Maurier, Jean Rhys, George Elliot, Robert Louis Stevenson, Jane Austen, and so many more 19th and 20th century authors whose works are firmly lodged in my literary mind.

You pierce my soul

From Captain Wentworth’s letter to Anne Elliot in Jane Austen’s, Peruasion.


Their works and literary personas are interwoven in my novel as characters and events. For example, I have used some of Charlotte Bronte’s characters, reinventing them a generation later.

Most of the characters I have invented are based on characters created by other writers, or they are based on real writers’ lives. In some instances I’ve changed their names. For example, Robert Browning is the inspiration for Mr. Greenwood. Jenny Rosset is based on Dante Gabriel Rossetti’s poem Jenny. The portrayal of the use and abuse of opium is based on de Quincey’s Diary of an Opium Eater. Jane’s first novel is based on Rebecca.

Michael is a complex character who is a mixture of characters. He has part of Hornblower by C. S. Forester, ‘Pip’ in Great Expectations, and Captain Wentworth in Jane Austen’s Persuasion. Charles Dickens appears as a character in Twelfth Night at Eyre Hall. Dr. Carter has learnt his techniques of criminal investigation from Conan Doyle’s Dr. Watson. Annette Mason and her background are based on Jean Rhys’s Wide Sargasso Sea. Jane quotes Lord Tennyson. I could go on, but I’ll let you look out for more influences.

Rossetti by William Holm Hunt

Dante Gabriel Rossetti

rossetti dante gabriel jenny B20096 77

The first page of his poem, Jenny.

Of course, it really doesn’t matter if you don’t pick this up. I’ve created an intertextual and diachronic mélange in my mind, which I have translated into a trilogy. I don’t want my readers to analyse my literary influences and background. I want readers to enjoy an exciting and mysterious, Victorian, gothic romance.

Eyre Hall  Trilogy

Finally, I’ll admit it, Norah. I’m an irreverent, daring, and provocative writer who looks to her favourite writers for inspiration. Please don’t be mad at me, I’ve done it because I love all these wonderful writers, and I can’t get them out of my mind or my writing.


Intermediate answer.

How many versions are there of Anthony and Cleopatra? Romeo and Juliet? Troilus and Cressida? Shakespeare’s weren’t the first, either. Most writers look to historical, literary and mythological characters for inspiration. I’m not the first, and I’m sure I won’t be the last writer to use ‘real’ or ‘fictional’ characters from other sources.

“What moves men of genius, or rather what inspires their work, is not new ideas, but their obsession with the idea that what has already been said is still not enough.” Eugene Delacroix

There’s always more to a great work of art than meets the eye. Rereadings, reinterpretations, and rewritings are enriching and pay tribute to the original works and authors.

I’ve written a post about sequels, prequels, reinterpretations, rewritings, and writing back, which deals with this topic in greater depth.


Short answer.

Why not?


Kandisnky quote


So, what do you think about ‘used’ characters, is it OK to reuse them?

Letter J The April A to Z Blogging Challenge #AtoZChallenge

April Author Spotlight 2015


Letter ‘J’ is for Regina Jeffers author of Captain Frederick Wentworth’s Persuasion


Why do I recommend Captain Frederick Wentworth’s Persuasion?

I loved every minute I spent reading this novel. The author retells, explains and moves Jane Austen’s Persuasion on to the next stage, in a way the original author never did. Regina Jeffers masterfully uncovers the fears, prejudice, and immaturity which led to Anne and Frederick’s first separation, as we are at last able to look inside the characters’ minds, and understand the misery and turmoil they went through during their first separation and second meeting years later. There is plenty of conversation and telling instead of showing, as the tension builds and their relationship slowly unfolds. All the diverse characters also come to life; Wentworth’s crew and his loving family, are portrayed in stark contrast to Anne’s arrogant and conceited sisters and their families. You needn’t have read Jane Austen’s novel to enjoy reading this wonderfully written historical romance, with a compelling plot, and impeccably drawn characters. A masterpiece.

 CFWP Crop1

What is your novel about, Regina?

Have you ever read a book and thought, “I wonder what happened when the main characters are apart? Did they think of each other? What kept them apart?” That is what the reader discovers in Captain Frederick Wentworths Persuasion. This book takes Jane Austen’s classic “Persuasion” and retells it from Captain Wentworth’s point of view. Wentworth and Anne Elliot were apart for eight years. We know Anne’s tale, but what of the gentleman? How did Wentworth go about forgetting the greatest love of his life? How did his pride get in the way when he encounters Anne again? What happens AFTER the “happily ever after”?

What are you working on now?

It is rare when I am not writing. I carry a notebook with me to doctor’s appointments, book events, etc. Otherwise, the stories claim my restorative sleep, and I am NOT a good person without my sleep. I have 5 stories coming out in 2015. The first is the conclusion to my “Realm” series. “A Touch of Emerald” will bring readers the answer to the missing emerald, as well as showing the Realm members in a new light.

I recently signed a contract with Black Opal Books for my next Regency romance, which will be called “Angel Comes to the Devil’s Keep.” It is a sweet Regency. As soon as I finish reworking the ending of “A Touch of Emerald,” then I plan to start a sequel to “Angel,” which I am tentatively calling “The Earl Finds His Comfort.” I hope that happens soon for the idea for this one is bouncing around in my head and driving me a bit batty.

In addition to the Regency titles, I also write Austenesque novels, which is what Luccia is featuring today. As such, last week, I signed a contract with Pegasus Books for “The Prosecution of Mr. Darcy’s Cousin,” a Pride and Prejudice cozy mystery. This is my fourth such mystery, and they are widely popular in the JAFF community. Luccia will be happy to know that Captain Wentworth makes an appearance at the end of this new novel, and there are plans for a sequel to CFWP.

Finally, I am venturing into the Austen variation model, something I have not attempted before. For those who do not understand the “variation” format, the author changes one event in the original Austen story line, which changes everything. Even so, I still like my Austen characters to act as close to the original as possible and attempt to keep Darcy and Elizabeth “real.”

In “Mr. Darcy’s Fault,” Elizabeth has an accident will walking through Rosings Park after receiving Mr Darcy’s letter. She loses the letter Darcy pressed into her hand, and Mr. Wickham finds it. What will Wickham do with the letter to take more revenge on Darcy?

In “Elizabeth Bennet’s Deception,” Darcy does not approach Elizabeth and the Gardiners at Pemberley when he arrives home early to find them touring his home. Later, when Elizabeth calls a second time asking for Darcy’s assistance in locating Wickham and Lydia, Darcy makes the assumption that Elizabeth’s fondness for Mr. Wickham led Elizabeth into a compromised situation. Can Darcy deliver Elizabeth into Mr. Wickham’s hands or is there another solution?


Question 3. What would you like readers to know about you?

Regina Jeffers is an award-winning author of Jane-Austen inspired novels/mysteries, as well as Regency romances. A master teacher, for thirty-nine years, Regina passionately taught thousands of students English in the public schools of West Virginia, Ohio, and North Carolina. Yet, “teacher” does not define her as a person. Ask any of her students or her family, and they will tell you Regina is passionate about so many things: her son, children in need, truth, responsibility, veterans, history, the value of a good education, words, music, dance, the theatre, pro football, classic movies, the BBC, track and field, books, books, and more books. Regina is an Anglophile who is equally at home with those saying, “Let this be so, and doubt not but success will fashion the event in better shape,” as well as with those who say, “kin’t carry a tune in a bucket” or “Jist because ye find them in the oven, don’t make them biscuits.”

How can we find out more or contact you?

My Website  

Blogs “Every Woman Dreams”  

“Austen Authors” 

“English Historical Fiction Authors”


Twitter @reginajeffers

Pinterest Regina Jeffers  

Goodreads Regina Jeffers  

Also join Regina on Google+, Facebook, and LinkedIn.


Please take some time to check out some of the other blogs on the A-Z Challenge. There are plenty of interesting and varied topics. 


Book Review: Unequal Affections by Lara S. Ormiston

Unequal Affections is a retelling of Pride and Prejudice. It’s also one of the most beautiful, engrossing, and haunting books I’ve read. It’s clever, original, and enthralling.

You all know how much I love novels both set in and written in the 19th century, and you also know I’m especially fond of character-driven novels, well, this is the most obsessively perfect character-driven novel I’ve read in a long time!

Unequal Affections

Unequal Affections has very little by means of a plot, and there is very little action. On the other hand, the outcome is no surprise; we all know that Elizabeth married Darcy in the end! Yet, in spite of it all, this is a compelling, unputdownable read. I relished every chapter, every page, and every word, and I’ll no doubt be reading it again, because it’s a book to be savoured slowly and repeatedly.

I was never Jane Austen’s greatest fan, and one of the reasons why I prefer contemporary renderings of Jane Austen’s works, is because she never got inside her characters’ heads. It is true that she portrayed her characters through ample conversation and actions, but to my post-Freudian mind, I really miss getting inside the characters’ minds, and understanding why they say and behave the way they do. It’s probably my fault. I may lack imagination, or knowledge of the era, but I need the characters to tell me why.

Another fabulous aspect is how the author gets inside both their minds with equal balance. It would have been easy to give a one-sided account of how Elizabeth feels, with some hints at Darcy’s predicament. Some may argue that this is what Jane Austen did herself. However, the author gets into Darcy’s mind just as easily and convincingly as he gets into Anne’s, which is no easy feat, as his point of view is far more difficult to both ascertain and convey.

The best part is how both characters evolve in just a month their courting lasts, and even better is how the reader also evolves with them. I felt I saw all the characters in a new light, because although we are given Elizabeth and Darcy’s points of view, we are given insights to all the other characters, too, such as Elizabeth’s supposedly ‘awful’ mother, who finally seems far less awful to Darcy, and so to the reader.

When I finished, I felt as if I had been abducted. I felt I had been transported through a time-tunnel into Elizabeth and Darcy’s lives two hundred years ago. I was an invisible visitor, following them around, and impatient to know what would happen next. When I came back to January 2015, I wondered melancholically how marriage and relationships between men and women had changed so much. If romantic love and how it comes about and evolves can be explained, this novel comes very close to doing so.

By the way, there must be a sequel. I hope Lara S. Ormiston writes one, because I need to go back and see how they coped with the challenges their marriage would no doubt face.

If you’ve read Pride and Prejudice, you’ll love it. If you haven’t read Pride and Prejudice, you’ll love it, too. If you love historical romance, you’ll love it. If you love novels that deal with relationships between men and women, within and between families, you’ll love it. If you love psychological dramas, you’ll love it, too.

If you’re a Jane Austen fan, or if you like 19th century novels, or historical romance, see my review of Captain Frederick Wentworth’s Persuasion by Regina Jeffers, another fabulous retelling of a Jane Austen novel.

Book Review: Captain Frederick Wentworth’s Persuasion by Regina Jeffers.

You Pierce My Soul, Captain Wentworth

Persuasion, Jane Eyre, and Rebecca have been my favourite novels since I first read them as a teenager. I have reread them dozens of times since then, and although there are many others I reread regularly, too many to mention now, none are as dear to my heart and my mind as the former three.


Title page of the original 1818 edition

I already confessed in an earlier post that My Ideal Fictional Hero is undoubtedly Captain Wentworth. To quote myself:

The most faithful and dashing fictional hero has to be Jane Austen’s Captain Wentworth, in Persuasion, he proposed to Anne Elliot, but he was rejected because her family thought he wasn’t good enough. Wentworth returned to Bath, nine years later, supposedly in search of a wife, but really he was out to impress Anne again, and impress her he did with his letter, because he’s also the greatest writer of love letters in English literature, saying things like, ‘you pierce my soul. I am half agony, half hope.’ and ‘Tell me not that I am too late, that such precious feelings are gone for ever.’ 


I love rereading, because every time I reread a book is a new experience. I always discover something new between the lines, or feel differently about characters or events. However, the last time I reread Persuasion, a few months ago, I was disappointed. I found the first half of the book had far too much ‘telling’ instead of ‘showing’. I also found parts of the dialogue ‘stiff’ with long drawn out ‘speeches’ instead of a more natural interaction between the characters. Finally, what displeased me most was the lack of introspection of the characters, especially the men, and specifically Wentworth.

We all imagine what he’s thinking, but we are never able to glimpse inside his mind, except for a few brief but powerful minutes when we read Frederick’s letter, in which he literally pours out his heart and his mind to Anne. From those brief words, I recreated his inner turmoil, integrity, loyalty, and passion, but alas, Jane Austen gave us very little information.

When I came across Captain Wentworth’s Persuasion by Regina Jeffers, just a few days ago, on twitter, I couldn’t resist reading. I was curious when I read the title and then the blurb: The love affair behind Jane Austen’s classic, Persuasion, rests at the heart of this retelling from Captain Frederick Wentworth’s point of view.

Could the author have captured the essence of my hero and retold the story from his point of view successfully? Could she have clarified what Jane Austen did not fully describe?

The answer is, yes, she did. I loved every minute I spent reading this novel, and I felt very upset when I finished, although it has become one of my personal classics, so I’m sure I’ll be rereading it, too.


Ms. Jeffers explains many things which Ms Austen didn’t. She uncovers the fears, prejudice, and immaturity which led to Anne and Frederick’s first separation. Anne was only 19, the same age Jane Eyre was when she married Rochester, practically a teenager by contemporary standards. Her father and godmother advised her against the marriage, so she might have been afraid to leave everything and everyone she knew behind, and travel in a war ship with her husband.

Captain Wentworth’s Persuasion starts at sea. Anne and Frederick are married and both living on a frigate during the Napoleonic Wars. When Wentworth is gravely wounded, during his delirious recovery, he recalls his first meeting with Anne, their brief courtship, and her family’s disapproval. He then remembers what happened nine years after Anne turned down his proposal. Wentworth returned to Bath as a wealthy war hero, while Anne’s family’s fortune had diminished, although her father retained his baronetcy and his pompous airs.

At first Frederick feigned indifference towards Anne, and pretended to flirt with Louisa Musgrove. We understand his misery, as he gradually realises it is Anne Elliot whom he still loves.

There is plenty of conversation and telling instead of showing, as the tension builds and their relationship slowly unfolds. The rest of the diverse characters also come to life. Members of Wentworth’s crew, Wentworth’s brother and sister and their loving family, are portrayed in stark contrast to Anne’s arrogant and conceited sisters and their families.

But the best is yet to come. Once Ms. Jeffers has arrived at the final point of Ms Austen’s novel, she moves the story on, and towards the end of the novel, a surprisingly complex political plot unfolds including the intervention of the Prince Regent.

I was devastated when the novel ended. I needed more!

Fortunately, Ms Jeffers has informed me that in her next novel, The Prosecution of Mr. Darcy’s Cousin, we will encounter Rear Admiral Wentworth once again. Personally, I can’t wait.

If you loved Persuasion, read it, you will love it. If you haven’t read Persuasion, read it, too, you will discover Anne and Frederick’s love story from a contemporary perspective, and then, if you like, read Persuasion! In any case, if you enjoy reading well-written historical romance, with a good plot, and wonderful characters, you’ll enjoy Captain Wentworth’s Persuasion.

Check it out on Amazon UK

Check it out on Amazon US

Writing 101, Day Five: The Letter.

Today’s prompt (well, yesterday’s I’m overdue!): You discover a letter on a path that affects you deeply. Write about this encounter. And your twist? Be as succinct as possible.

The sun stroked my cheeks as I sank lazily on the deck chair at the Bankside Café, facing Richmond Park. I indulged in this small luxury every Friday, before checking in at the library. As I sipped my cappuccino, a grey weightless bubble caught my attention, rolling along the pavement. The torn page, which had been crumpled furiously into a ball, and discarded carelessly onto the floor, stopped by my surprised feet. I unraveled it and read the highlighted words…

I can listen no longer in silence. I must speak to you by such means as are within my reach. You pierce my soul. I am half agony, half hope. Tell me not that I am too late, that such precious feelings are gone for ever.’ I gasped, trying to shock my lungs back to work, before continuing, ‘I offer myself to you again with a heart even more your own than when you almost broke it, eight years and a half ago.’ My heart was now racing uncontrollably, ‘Dare not say that man forgets sooner than woman, that his love has an earlier death. I have loved none but you.’ I wiped away the tear that burst out of my eye, while I read the rest of the message, ‘Call me’, followed by nine numbers firmly engraved over the typewritten words on the back of the page.

End of the 101 Challenge.

http://dailypost.wordpress.com/dp_assignment/writing-101-day-five/ Why not have a look at the other entries?


The letter quoted in this entry is one of the most famous love letters in English literature. It was written by Captain Wentworth to Anne Elliot in Jane Austen’s last completed novel, Persuasion, written in August 1816, a year before she died, and published posthumously in 1818.

Persuasion has a simple plot, although there are important subplots. Frederick Wentworth is a brave, handsome and wealthy captain, who has returned from maritime victories in the Napoleonic Wars. He is staying with his sister and brother-in-law, who have leased Kellynch Hall, which was estate owned by the family of Anne Elliot, who had broken their engagement eight years earlier. He publicly declares that he is ready to marry a suitable young lady, creating great expectations among the marriageable women of Bath.

Jane Austen, who died the year before Queen Victoria was born, is one of the best-loved authors of romantic fiction involving the landed gentry of the early 19th century. ‘Persuasion’ refers to the pressures employed by society on women regarding love and marriage, and deals with the conflicts they face between free will, duty and responsibility.

I will be writing a fuller review called ‘Rereading Persuasion’, soon, meanwhile here’s the whole letter, which I hope will encourage you to read this wonderful novel.

I can listen no longer in silence. I must speak to you by such means as are within my reach. You pierce my soul. I am half agony, half hope. Tell me not that I am too late, that such precious feelings are gone for ever. I offer myself to you again with a heart even more your own than when you almost broke it, eight years and a half ago. Dare not say that man forgets sooner than woman, that his love has an earlier death. I have loved none but you. Unjust I may have been, weak and resentful I have been, but never incon¬stant. You alone have brought me to Bath. For you alone, I think and plan. Have you not seen this? Can you fail to have understood my wishes? I had not waited even these ten days, could I have read your feelings, as I think you must have penetrated mine. I can hardly write. I am every instant hearing something which overpowers me. You sink your voice, but I can distinguish the tones of that voice when they would be lost on others. Too good, too excellent crea¬ture! You do us justice, indeed. You do believe that there is true attachment and constancy among men. Believe it to be most fervent, most undeviating, in F. W-