Why I love romantic novels with Byronic Heroes
I love reading romantic novels with Byronic heroes, on occasions, because they are emotionally gratifying.
The reader enters an ideal world with young, beautiful, rich, and powerful people, and it all ends well, which is satisfying after a hard day facing the real, sometimes boring, and often ugly world.
There’s a likeable heroine who eventually makes an unlikeable hero, very likeable, leading to a happy ending. What’s there not to like?
There are many novels following this timeless pattern, recurrent in many love stories throughout literature, all of them immensely popular.
1- Bad guy meets good girl.
2.a- Bad guy tries to seduce, dominate and/or spoil good girl, making her bad, too, but he fails because she’s stronger or cleverer, or better, so good conquers evil. Or
2.b- Good girl tries to make bad guy into a good guy.
3- Finally he becomes a good guy and they live HEA (which usually includes marriage and/or children).
This formula has been successful in literature for centuries. It started with Mr. B in Henry Fielding’s Pamela (1740), and can be seen again in Mr. Darcy in Pride and Prejudice (1813), Captain Wentworth, in Persuasion (1817), Rochester, in Jane Eyre (1847), Heathcliff, in Wuthering Heights (1846), Max de Winter, in Rebecca (1938), Edward Cullen in the Twilight Saga (210-2011), Christian Grey, in Fifty Shades of Grey (2011), to name a few of the most well-known.
Don’t get me wrong, I’m not comparing the literary quality of any of the previous novels mentioned, I’m merely pointing out that the main romantic plot arc in these novels is almost identical.
This moody, and self-assured, male protagonist, who is finally tamed by the heroine, came to be known as the Byronic hero, named after the English Romantic poet Lord Byron, and described by Lord Macaulay as ‘a man proud, moody, cynical, with defiance on his brow, and misery in his heart, a scorner of his kind, implacable in revenge, yet capable of deep and strong affection.’
Byronic heroes are brooding, darkly handsome, and they have a secret, hidden past, which makes them behave antisocially. They are usually worldly, rich, cynical, destructive, and resentful. They have difficulties identifying and even expressing their emotions, and women find them extremely alluring. They are idealized yet flawed characters, who need to be recovered and repaired by the perfect heroine.
Many readers enjoy these novels. I enjoy them, no, I love them. Although I often wonder why I liked them in the first place.
I think it’s because I’d like it to be true. I’d like to believe, even if it’s for a few hours, or minutes, that good can conquer evil, that love can soften resentment, and cure all ills. I want to be optimistic….for a while.
One of my favourite contemporary romance writers is Roberta Pearce. The Value of Vulnerability is the third novel I’ve read by this author who specializes in romantic novels with strong female leads and rich and handsome, alpha males, with HEA endings.
What makes her novels worth reading or different from other similar novels?
Well, I haven’t read all the others, but I’ve read a few, and what makes Roberta Pearce’s novels different is that they are impeccably written, with economical, precise prose, and the characters are well portrayed.
Ford is perfectly depicted from page one. After leaving a girl he’s just slept with, he says;
“You mentioned having difficulty with some finances. Now you have fewer.”
She licked her lips, staring at the scattered hundreds with an expression he had seen dozens of times: greed combined with humiliation, and underwritten with gratitude.
He’s a real baddie, with the usual Byronic defects, and he develops, and grows out of them as the novel progresses, and the reader expects.
The reader’s interest is in discovering who’s going to make him change, and how she’s going to do it.
She is Erin, beautiful, young, intelligent, generous, friendly, loving, and far too good a person for him.
In the real world, if she were my daughter, or a friend, I’d say, ‘keep away, he’s no good’, but this isn’t the real world. I’m escaping from reality. It’s a romantic novel, and I know it will be all right in the end. I keep turning the pages impatiently, and I know there will be ups and downs, twists and turns, but I know I won’t suffer…too much, because it will have a happy ending.
Why do I recommend it? Because it’s well written, the characters are authentic, the story is beautiful, and it’s a welcome break from a real, hard day!
Posted on October 5, 2014, in Reading Fiction, Victorian Literature and tagged Byronic hero, Captian Wentworth, Charlotte Bronte, Christian Grey, Edward Cullen, Edward Rochester, Fifty Shades of Grey, Heathcliff, Henry Fielding, Max de Winter, Mr. Darcy, Pamela, Roberta Pearce, The Value of Vulnerability, Twilight. Bookmark the permalink. 11 Comments.