#AtoZChallenge ‘N’ #NationalPoetryMonth ‘Noon Walk on the Asylum Lawn’ by Anne Sexton #MondayBlogs

This year to celebrate National Poetry Month and to take part in the April A-Z Blogging Challenge, I’ll be posting two poems a day, one written by me and another poem written by one of my favourite poets. The title or first word of both poems will begin with the corresponding letter in the Blogging Challenge.

Today I offer you two poems on desperation, depression and death. Noon Walk On The Asylum Lawn by Anne Sexton and No Safe Place, by Luccia Gray.

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Noon Walk On The Asylum Lawn – Poem by Anne Sexton

The summer sun ray
shifts through a suspicious tree.
though I walk through the valley of the shadow
It sucks the air
and looks around for me.

The grass speaks.
I hear green chanting all day.
I will fear no evil, fear no evil
The blades extend
and reach my way.

The sky breaks.
It sags and breathes upon my face.
In the presence of mine enemies, mine enemies
The world is full of enemies.
There is no safe place. 

From to Bedlam and partway back by Anne Sexton published in 1960. It was the first book of poetry she published.

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Anne Sexton by Elsa Dorfman

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The poet is o the lawn at the asylum. She’s looking for comfort in doctors, in medicine, in nature, and in religion, but there’s no hope. None of them can help her leave the land of shadows in which she’s immersed. She cannot see the light.

Emotionally the poet is in the valley of the shadow of death, and ‘it’, death, is chasing her, by using everything in his power to do so. The trees take up the air choking her, the chant of the grass which becomes long blades, likes knives attacking her, the clouds, causing the shadows, are also her enemy.

This poem is a description of her lonely and desperate emotional situation. It’s all the more desperate because it’s not even a cry for help. She knows there will be no escape, because there is no safe place.

In this sense, it’s also an existentialist reflection on the human condition. We are all born, live, and die; all three events are inevitable, and in between we’re not even happy. As Camus’ tells us the reason for Caligula’s unhappiness: “Men die and they are not happy.

If this poem were a painting, it would be Munch’s The Scream.

The Scream by Eduard Munch (1893)

Her situation is hopeless. Everything and everyone is against her. She can’t escape. No one and nothing can save her.

But the poem is even more devastating, because it is not only a personal reflection, we have all been there, and we all go back there on occasions, until death finally wins the battle, because there is no escape from death. It will creep up on us all.

Lines 3, 8, and 13 are taken from Psalm 23, which is famous for being most commonly used at funerals or to comfort those approaching death. The message is that believers should not fear death because God’s presence and strength will guide them to the next world.

More about Anne Sexton here links

I’ve also found these fabulous videos on you tube of Anne reading her own poems. Check them out.

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Now for my own poem.

This is one of the hardest poems I’ve written this month. I’ve had my low moments of depression, and who hasn’t after almost six decades of life? Nevertheless I try to be an optimistic person, who encourages students, colleagues, friends, family and anyone who’s listening or reading!

The poem about my sister’s death, for example, There’s Still Joy, was hard, and yet I didn’t feel desperate or depressed when I’d written it. In fact I felt relief in writing the poem.

As T. S, Eliot said, ‘The purpose of literature is to turn blood into ink.’ In that case, it should have had a therapeutic and liberating effect, shouldn’t it? That was initially Anne Sexton’s aim in writing poetry, as therapy, and yet, her poem has no hope, just a description of desperation.

Anne Sexton’s poem has pushed me way out of my comfort zone today.

Here’s my own desperate plea.

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No Safe Place (After Anne Sexton) by Luccia Gray

The shadow stalks me,

Seeping through the trees.

The leaves, they whisper,

‘We’ve come to take her.’

‘Fear no evil,’ they repeat,

But I can hear the devil’s feet.

The grass is screaming,

The clouds are crashing,

The Lord is waiting.

I’m at their mercy.

They’ve called back my enemy.

It’s time now, he’s come for me.

He’s breathing in my face.

There is no safe place.

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#NationalPoetryMonth ‘Let it Flow’ #inspiration #amwriting #poem

Today I offer you a poem I’ve written for one of my best friends, artist Anna Overbury Sujar. We were recently sitting by the beach, chatting about inspiration and the process of creating a picture or a poem.

When I returned home, I wrote this poem for her, for me, for you, for everyone who creates art.

I hope you enjoy it!

Anna Overbury Sujar, in her studio.

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Let it Flow by Luccia Gray.

Push away your fear,

Ignore your doubts,

Let it flow.

Loosen your arms,

Relax your hand,

Let it flow.

Capture the moment

You saw the light,

Let it flow.

Feel the grandeur,

Bathed in gratitude,

Let it flow.

Channel your magic,

Connect with the awe,

Let it flow.

Pick up your brush,

Awaken the fairy,

Let it flow.

Let the brush slide,

Over your canvas,

Let it flow.

Blend the colours into sound,

Melt the music into movement,

Let it flow.

For Anna Overbury Sujar.

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Anna Overbury Sujar at home with one of her beautiful mosaics.

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#SilentSunday Benahavis, Malaga, #SundayWalks

Taken in the car, on the way to Benahavis.
Some more winding, country roads.
Nearly there….
Roundabout with a stone tower to greet new arrivals…
A view from the top.

 

A view from the bottom 🙂
Street view.
I loved the beautiful palm trees.
This tiled stairway and colourful wall were begging a photo!
Typical whitewashed house with pretty balcony in Benahavis.
Bye for today, Benahavis…
Hope you enjoyed your visit to Benahavis 🙂

See you next Sunday for another walk 🙂

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#SixWordSaturday Plot your novel, not your life! #SixWordStories

It’s my first time taking part in #SixWordSaturday. Thank you Debbie at Travel with Intent  for hosting and I hope to gradually meet the other participants.

Six Word Saturday seems to be a good and concise way of summing  up the week with six words in the title of the post, and a post with a round up of the week that’s passed.

Now and again, I’ll be adding #SixWordStories to the mix, if I can manage a phrase, or story, with the six words.

In my case I’ll be adding a few, perhaps six, sentences, and a few, perhaps six, photos!

I’ll try to keep it short and pretty!

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It’s a holiday week for me, so instead of teaching, I started off plotting my new novel, which was getting out of hand at 22,000 words and no plan!

Then we were able to get away to a fairly secluded beach, in Estepona, for a short break.

I planned the holiday, but I didn’t know exactly what would happen once I arrived. The first surprise was a quiet beach…

…and a lovely Beach Bar for breakfast and lunch!

I was lucky enough to have three of my favourite ladies for company; one of my best friends, Anna, her lovely daughter, Zara, and my daughter.

I was also able to watch two of my grandchildren splashing around the seaside!  

 

The most beautiful moments in life are unplanned. Let them happen.

It’s been a wonderful week. Back to work on Monday, batteries recharged!

I’ll be back to the beach for a few days in May, fingers crossed!

How was your Easter break?    

Do you plot your novels?

Do you plot your lives?

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#AtoZChallenge ‘M’ #NationalPoetryMonth ‘My Mistress’ Eyes’ #NPM17 #amwriting #Sonnet #Poetry #Shakespeare

This year to celebrate National Poetry Month and to take part in the April A-Z Blogging Challenge, I’ll be posting two poems a day, one written by me and another poem written by one of my favourite poets. The title or first word of both poems will begin with the corresponding letter in the Blogging Challenge.

Today I offer you one of Shakespeare’s most irreverent sonnets, My Mistress’ Eyes are Nothing Like the Sun (Sonnet 130) and another irreverent sonnet by Luccia Gray, My Master’s Eyes Are Nothing Like the Sun.

I hope you enjoy!

 

My Mistress’ Eyes Are Nothing Like The Sun (Sonnet 130) by William Shakespeare (1564 – 1616).

 

My mistress’ eyes are nothing like the sun;

Coral is far more red than her lips’ red;

If snow be white, why then her breasts are dun;

If hairs be wires, black wires grow on her head.

I have seen roses damasked, red and white,

But no such roses see I in her cheeks;

And in some perfumes is there more delight

Than in the breath that from my mistress reeks.

I love to hear her speak, yet well I know

That music hath a far more pleasing sound;

I grant I never saw a goddess go;

My mistress when she walks treads on the ground.

And yet, by heaven, I think my love as rare

As any she belied with false compare.

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I love this sonnet. It’s one of my favourites for two reasons. Firstly, I admire Shakespeare’s lack of conventionalism or snobbery, and his use of typical metaphors against themselves. In this case, he parodies conventional love sonnets made popular by Petrarch, and written by his contemporaries, such as Sidney, which idealised their love interest.

Secondly, I love the way he presents a flawed and imperfect woman as his mistress. He says, ‘you’re not perfect, you’re not a goddess, but who cares, I love you because you’re real and in spite of your imperfections.’ Well said!

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My sonnet also presents an imperfect lover, although in this case he’s male.

It also has a light and mocking tone, poking fun at celebrities and those who imitate them.

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My Master’s Eyes

 

My master’s eyes are nothing like the sun,

They’re black as coal, deep and often wary.

If hairs be messy, then he has almost none,

If skin be soft and smooth, his is hairy.

I’ve seen George Clooney dressed up in a tux,

Brad Pitt prefers Channel scents, it would seem,

But he smells like showers and a touch of musk,

And he looks his best in navy blue jeans.

I love to watch his lips while he’s talking,

Although his voice is gruff and sometimes raw.

I never saw David Beckham walking,

But my master, when he walks, treads on the floor,

And yet, by heaven, I think my love as rare,

As any superstar you can compare.

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#FridayFictioneers ‘Have Some Pizza’ #FlashFiction

It’s Friday, time for another Friday Fictioneers Flash Fiction story with adorable and creative Alice, her incredulous and conventional parents, Marsha and Kevin, and her best friend, Billy.

Today, Alice is at Billy’s house, where they were having some pizza just when her mother arrived to pick her up. Everyone likes pizza, right? Or do they?  I hope you like this new episode!

Thanks to Rochelle Wisoff-Fields for hosting the challenge, and Dale Rogerson for today’s photo prompt, which led me directly to this weeks’ 100-word story.

PHOTO PROMPT © Dale Rogerson

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Have some pizza!

“Perhaps your mother would like to come in,” said Billy’s mother.

I rushed to the door. “Thank you, but my mother’s always in a hurry.”

“There’s still plenty of pizza,” said Billy expectantly.

The day my mother ate pizza would be the day the stars fell from the sky.

Too late. I opened the door, hugged my mother and pulled her arm towards the car.

“Mrs. Pendragon,” said Billy’s mother. “Please come in.”

My mother was too polite to decline.

“Could I tempt you with some pizza?”

I looked up at the evening sky, some stars were about to fall.

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All my ‘Alice’ flash fiction written for the Friday Fictioneers Challenge can be read as standalones, but if you’re interested in reading previous stories of Alice’s adventures, here  they are!

 If you’d like to join in Friday Fictioneers or read other posts check Rochelle’s Blog for rules and prompts. 

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#FridayReads Yonder by @LeeAnne_Hansen_ #amreading #amreviewing

Yonder by LeeAnne Hansen is a beautiful novel. It is set mainly in a small town in Mississippi, in the 1940s. Life and death in the south, at the time, is vividly and poetically portrayed. It was easy to get lost in the narrative and imagine I was right there.

It is a family drama, a mystery, suspense, and a romance with a touch of paranormal happenings, which could blend into the action as coincidence and intuition.

The novel starts with Isabel’s childhood, on her 10th birthday and her first crush, we gradually see some of her subsequent birthdays, leading up to her middle twenties. We witness her childhood hopes and dreams, her painful and sudden departure from her hometown and move to New York, her first adult romance, her first job, as well as heartbreak, devastation and her return home on her father’s death, leading up to the unravelling of the family secret and discovering true love.

Isabel is a loving, generous, yet naive, young girl, who gradually, and on occasions traumatically, finds out who she is and what she wants out of life. She also uncovers a shocking family secret, which came as a complete surprise to me.

All the characters come to life vividly, Isabel’s family, as well as her childhood friends and their families. There are a few unpleasant characters, and others who are simply immature. I have a favourite character, and that’s Ben, you’ll understand why when you read it. He’s solid, dependable and patient, but unfortunately, not everyone in the novel values these qualities.

The novel can be read as a standalone, because it has a clear and satisfactory ending, tying up all the loose ends, but there are other characters, too, with stories to be told, and I’m also interested in seeing some more of Isabel’s life, so I’m looking forward to reading the next book in the series.

I listened to the audio book, narrated by the author, which was an added treat.

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LeeAnne Hansen was born in Paris, grew up in Oklahoma and now lives in sunny southern California with her husband and cats. She enjoys writing, acting and playing bass guitar. She can be seen gracing the stage in various theaters or even directing. She is a graduate of the American Musical and Dramatic Academy in New York City and has studied art and astronomy. She also thoroughly enjoys long walks on the beach.

To learn more about LeeAnne please visit her website.

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#AtoZChallenge ‘L’ #NationalPoetryMonth ‘The Lightest Touch’ #NPM17 #amwriting #poem #inspiration

This year to celebrate National Poetry Month and to take part in the April A-Z Blogging Challenge, I’ll be posting two poems a day, one written by me and another poem written by one of my favourite poets. The title or first word of both poems will begin with the corresponding letter in the Blogging Challenge.

Today I offer you two poems about poetic inspiration. The Lightest Touch by David Whyte, which has in turn inspired me to write a poem with the same name about the same subject, The Lightest Touch by Luccia Gray

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 THE LIGHTEST TOUCH by David Whyte

Good poetry begins with

the lightest touch,

a breeze arriving from nowhere,

a whispered healing arrival,

a word in your ear,

a settling into things,

then, like a hand in the dark,

it arrests the whole body,

steeling you for revelation.

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In the silence that follows

a great line,

you can feel Lazarus,

deep inside

even the laziest, most deathly afraid

part of you,

lift up his hands and walk toward the light.

– from EVERYTHING IS WAITING FOR YOU and RIVER FLOW

David Whyte in 2009 by Eugene Kim

David Whyte, of Anglo-Irish origins, was born and brought up in the UK. He was a marine zoologist, before he started writing poetry.

The lightest Touch is a beautiful poem which aims to identify the fleeting and magical moment of inspiration or revelation, before a poem is written.

More about David and his poetry here.

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I’ve used the same title in my poem and tied to identify the same moment.

The Lightest Touch by Luccia Gray (inspired by David Whyte)

A whisper in my dream,

A fading ripple in the sea,

A breeze when your eyes open,

A trembling leaf just fallen.

A bolt of lightning,

A shadow sliding

Over the waning sun.

The lightest touch,

Like a distant hum

Has finally come.

A sudden surge of light,

Which starts so slight,

Yet grows and grows

‘Till it explodes,

Into words and lines

And other signs,

Later a poem,

Just for them.

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#ThursdayDoors Easter Break in Estepona, Spain

I thought ‘d join in this week with some pictures of doors seen in Estepona, on the Mediterranean coast, in the south of Spain, where I’m spending a few days with my family and friends.

This is the door to the beachside apartment where we’re staying.

This is the gate that lets us into the small housing complex.

Another door I saw during my morning walk. The salt air has wreaked havoc on the wooden door!

That’s probably why most doors ar iron gates.

Another nearby door.

Very near my flat, a few meters from the beach is La Torre Saladillo, a lookout tower built between 1575 and 1595, to scan the coast from north African invaders. The Moors had left th south of Spain in 1492, but there were still some  invasion attempts after that. It may also have been used to catch smugglers. Amazingly, it has no door! Only two window at the top. It’s a tourist attraction right now, so I suppose they covered the walls to avoid people going inside, but who knows?

Well, I’m off to the beach for a paella, see you next week!

Look out for my AtoZ entries, lots of lovely poems for you to read.

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#AtoZChallenge ‘K’ #NationalPoetryMonth ‘Kiss’ #NPM17 #amwriting #poem

This year to celebrate National Poetry Month and to take part in the April A-Z Blogging Challenge, I’ll be posting two poems a day, one written by me and another poem written by one of my favourite poets. The title or first word of both poems will begin with the corresponding letter in the Blogging Challenge.

Today I offer you a brutal war poem by Siegfried Sassoon, The Kiss,  and a sensual love poem by Luccia Gray, Kiss Me

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The Kiss BY SIEGFRIED SASSOON

 

To these I turn, in these I trust—

Brother Lead and Sister Steel.

To his blind power I make appeal,

I guard her beauty clean from rust.

 

He spins and burns and loves the air,

And splits a skull to win my praise;

But up the nobly marching days

She glitters naked, cold and fair.

 

Sweet Sister, grant your soldier this:

That in good fury he may feel

The body where he sets his heel

Quail from your downward darting kiss.

(c) The Fitzwilliam Museum; Supplied by The Public Catalogue Foundation. Siegfried Sassoon by Glyn Warren Philpot 1917

Sassoon said this poem was inspired by a lecture on the use of the bayonet in which the lecturer, compared the bullet and bayonet to a brother and sister. The sister/bayonet’s penetration is disturbingly compared to a fatal kiss.

Siegfried Sassoon (1886 – 1967) was an English poet, writer, and soldier. Decorated for bravery on the Western Front, he became one of the leading poets of the First World War, describing the horrors of the trenches.

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From a devastating war poem, to a sensual poem by Luccia Gray, Kiss me.

Kiss Me

Soft, supple lips,

Kiss me.

Breath, life, lips,

Kiss me.

Warm, moist lips,

Kiss me.

Arms, legs, lips,

Kiss me.

Breathless, panting lips,

Kiss me.

Release, ecstasy, lips,

Kiss me.

Rest, sleep, lips,

Kiss me.

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